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Three Drops from a Cauldron

Three Drops from a Cauldron

Category Archives: Book Reviews

Book Review: Nan Hardwicke Turns into a Hare by Wendy Pratt

18 Tuesday Oct 2016

Posted by three drops from a cauldron in Book Reviews, poetry

≈ 1 Comment

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Caroline Hardaker, folklore, poetry, review, Wendy Pratt, witches

A Three Drops Review

Nan Hardwicke Turns into a Hare by Wendy Pratt

[Reviewed by Caroline Hardaker]

Wendy Pratt’s pamphlet is a bewitching collection, linking together witchcraft and the natural world with the emotional processing involved in losing of an unborn child. It’s such an unusual collection, and quite an abstract way of dealing with such a serious theme. It’s quite a short collection made up of 14 poems, and this works well in that it’s easier to feel the intrinsic links between the pieces. Continue reading →

Book Review: Kshanti by Wendy Stern

24 Wednesday Aug 2016

Posted by three drops from a cauldron in Book Reviews, poetry

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book review, Buddhism, death, J.S. Watts, life, poetry, spirituality, Wendy Stern

A Three Drops Review

Kshanti by Wendy Stern

[Reviewed by J.S. Watts]

 

Kshanti by Wendy Stern (and published by Poetry Space) is a posthumous collection. Continue reading →

Book Review: Cat Lady by Mary M. Schmidt

22 Monday Aug 2016

Posted by three drops from a cauldron in Book Reviews, poetry

≈ 1 Comment

Tags

book review, cats, Diana Sanchez, fiction, Italy, magic, Mary M Schmidt, narrative poem, poetry, witches

A Three Drops Review

Cat Lady by Mary M. Schmidt

[Reviewed by Diana Sanchez]

 

Cat Lady, by Mary M Schmidt, is a love song to the feral cats of Roma, and to the soul of the Eternal City. Continue reading →

Book Review: Four-Legged Girl by Diane Seuss

09 Thursday Jun 2016

Posted by three drops from a cauldron in Book Reviews, poetry

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book review, Diane Seuss, Michelle Anderson, poetry

A Three Drops Review

Four-Legged Girl by Diane Seuss

[Reviewed by Michelle Anderson]

Diane Seuss’ poetry breaks down the organic matter of emotion, reducing it to it’s original earthy elements and examines facets of desire, spirituality, solitude, and freakishness under a microscope of verse and imagination. Continue reading →

Book Review: #FDD017 (Golden) by Rishika Aggarwal

17 Tuesday May 2016

Posted by three drops from a cauldron in Book Reviews, poetry

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mythology, poetry, review, Rishika Aggarwal, Steve Nash

A Three Drops Review

#FDD017 (Golden) by Rishika Aggarwal

[Reviewed by Steve Nash]

Rikisha Aggarwal’s #FDD017 (Golden) is a slim volume of fifteen brief enquiries to Greek mythological divinities. It’s quirky, drizzled with knowing humour, and beneath the intricate surface of the text runs a subtly poignant filament. Continue reading →

Book Review: Lapstrake by Wendy Pratt

09 Monday May 2016

Posted by three drops from a cauldron in Book Reviews, poetry

≈ 1 Comment

Tags

Caroline Hardaker, Lapstrake, poetry, review, Wendy Pratt

A Three Drops Review

Lapstrake by Wendy Pratt

[Reviewed by Caroline Hardaker]

Published by Flarestack Poets, Lapstrake by Wendy Pratt is a short poetry pamphlet exploring the loss of a little girl, and how our narrator’s emotional flow is mimicked by the sea tide, pushing, pulling, and ultimately leaving you powerless. Continue reading →

Book Review: Being With Me Will Help You Learn by Thomas McColl

12 Tuesday Apr 2016

Posted by three drops from a cauldron in Book Reviews, poetry

≈ 1 Comment

Tags

Caroline Hardaker, collection, Listen Softly London, poetry, review, Thomas McColl, urban fables

A Three Drops Review

Being With Me Will Help You Learn by Thomas McColl

[Reviewed by Caroline Hardaker]

‘Being With Me Will Help You Learn’ is a truly eclectic collection of poetry, poetic prose, and short stories by Thomas McColl. McColl’s fictions have been widely published in contemporary journals, magazines, and anthologies, and this particular collection includes some of McColl’s published pieces from 1995 onwards. This collection is the first to be published by Listen Softly London, a fledgling press based in London, and it seems to have been a very good start for them!

The pieces in the collection flit between gritty realism and dystopian fantasy, fluctuating frequently between written forms. A reader can be thrust from a short lyrical poem to a gripping and urgently delivered new-report, giving the sense of a chaotic world spiralling out of control. There’s such a range that though all of the poems (to an extent) tackle the absurd there never feels like there is any theme or subject repeated. The collection truly seems to take us around the world, or rather – all around the human psyche – and back.

There is a deep sense of self-aware humour with some of the pieces, such as in the flash fiction ‘Smile’, whereby we’re greeted by a market trader dealing with a complaint about his rather intangible wares. The stories and poems have a definite feel of Aesop’s Fables or the Grimm tales, but rather than reflecting back to ancient myth or folklore, McColl constructs his own with accessible language, known landscapes, and contexts that every reader would be familiar with. As you take in these urban fables, you definitely can’t help but wonder (when you consider the title of the collection) which of the many truths McColl is trying to teach us will be taken most to heart.

The collection begins and ends with an consideration of grammar itself, from the ‘demotion of my I to lower case’ in ‘I’, to an exploration the potential pandemonium ensuing from a lack of intonation or punctuation in ‘The Full Stop Rebellion’. In doing this, perhaps McColl is questioning the forms in which we might indeed learn his lessons. This is reiterated further in the darkly witty ‘Open Mic’, which potentially teaches the reader a lesson about how less likely we are to be receptive of teaching than we are a sales pitch.

I would heartily recommend McColl’s collection to any type of reader, even if they’re a poetry newbie. The poems and fictions manage to convey intelligent ideas and startling realities in simple, colloquial language, and truly imaginary scenarios. Go on, take a walk through McColl’s collection, and you might learn something.

 

 

 

 

 

 

 

 

Being With Me Will Help You Learn is published by Listen Softly London, and available to purchase from them here.

Guest Post: Rhiannon Thorne interviews Christine Heppermann

06 Tuesday Oct 2015

Posted by three drops from a cauldron in Book Reviews, Interviews

≈ 1 Comment

Tags

Christine Heppermann, fairytales, feminism, girls, guest post, interview, poetry, Rhiannon Thorne, women, YA collection

Recently I was lucky enough to have Christine Heppermann respond to my interview query about her Poisoned Apples: Poems for You, My Pretty, which I had the good fortune of receiving as a part of a prize lot of books. Her first YA poetry book, Poisoned Apples is sardonic, sassy, feminist, and charming. Beautifully printed, each poem is paired with a black and white photo or photo manipulation. Continue reading →

Book Review: Moonchild Dreams by Nadia Gerassimenko

02 Tuesday Jun 2015

Posted by three drops from a cauldron in Book Reviews

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Tags

books, life, music, myth, Nadia Gerrasimenko, poetry, poetry collection, review, self-published, writing

A Three Drops review

Moonchild Dreams by Nadia Gerassimenko

Moonchild Dreams is a lovely little self-published poetry collection by Nadia Gerassimenko, who has been writing poetry since she was fourteen. According to the author’s website, this book includes work written between 2004 and 2015. Divided into five parts, Moonchild Dreams is an emotional journey carried by a mythical framework, though the overall influence of myth on the individual poems is subtle.

The poems in the first section, ‘Ballads in a capella’, would also be great as song lyrics, as the chapter title suggests. They have a positive spin even when discussing difficult times, and are heavily rhymed. In the poem ‘From a glimpse of you’ it’s easy to imagine the lines “I feel honey in my veins … from a glimpse of you” being sung over an acoustic guitar, and certainly does feel like the heavy-light feeling of new love/lust.

‘Amatoria and Mimesis’ is the second section of poems. These pieces are defined by the senses, and in my opinion can be summed up with the final line “and so we felt” in the poem ‘With eyes’. In this chapter, the poems ‘Love and Imitation’, ‘Tender passion’ and ‘We keep on going’ stand out for their rejection of a perfect relationship, and their acceptance of the difficulties people face in love.

The poem ‘Morphine Dreams’ (in section three, ‘Lost at sea with sirens’) grips the reader with its strong use of memory and dream imagery, and ‘Beauty inside’ (from section four, ‘Gaea’s simple truths’) is a sweet encouragement for anyone who feels awkward and not outwardly beautiful. ‘The woman with the child in her eyes’ is a clever tribute to Kate Bush, and again follows the thread of musical influence running through these poems.

This leads on to section five with its Jungian-sounding title, ‘The private self’, which includes the poem ‘Chaos unto harmony’, where the poet works in titles of her favourite songs to express herself. As the name of the chapter suggests, these are all poems about the poet’s relationship with herself, and her inner life. The final two lines of the collection, in the titular poem, sum up the feeling of solace in solitude and darkness, space to be oneself: “The night is mine to keep / when you cannot tame me”.

I would recommend Moonchild Dreams to people who like personal stories and autobiographical writing, as the author is unafraid to reveal her emotions through her work.

moonchilddreamscover

Moonchild Dreams is available on Amazon in the US here, and in the UK here. If you’d like to find out more about Nadia and her work, her website is here.

Three Drops from a Cauldron is a Three Drops Press publication.

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