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Three Drops from a Cauldron

Three Drops from a Cauldron

Tag Archives: fairytale

She Wolf by Stephen Bone

11 Wednesday May 2016

Posted by three drops from a cauldron in poetry

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fairytale, poem, poetry, Stephen Bone

She Wolf

Sleepless nights I slip
from the huntsman’s side -
a silent dependable type -

then walk the forest path
with my familiar ache
burn

for those citrine eyes
that loll of tongue dashing fangs

swear the breeze
still brings to me the tang
of his meaty pant
echo of his moonlit howl
as it tugs

at my red cape
mothed to a flimsy caul


Stephen Bone has been published in various journals in U.K
and US. His work is forthcoming or has recently appeared in The Dawntreader, Sarasvati
and Elbow Room Poetry.

Gretel’s Tale by Kay Buckley

07 Sunday Feb 2016

Posted by three drops from a cauldron in poetry

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Tags

fairytale, feminism, Kay Buckley, poem, poetry, reimagining, retelling, women

Gretel’s Tale

I get that food dead feeling
and the plastic cold pocket opens.

I try to find the breaded path as my tongue
scratches across gritted greased lips.

Feeding my sliced thoughts and breaking
the shape of my body I remember:

how she stirred the earth’s chocolate richness,
how she spooned clouds into choux swans.

Body born, body proud and warming in the sun
she ladled caramel to set her biscuit bricks.

She fed me in food and love.
She ate me anew in joy and hope.

Every day I went to Hansel in his cage,
as her rounded hips danced around the copse.

He called her; “she, the other, and anti-mother.”
What else could I do? What else could I say?

After all what are little girls made of?
I was sugar and spice – a good girl, nice.

I followed the mould.
I wanted a man so I killed the bitch.

Fashion took its victim and beauty snared his chains.
Always the eternal feminine should hate the fat witch.

My cage was built on high heels and diet meals,
with candyfloss nails and legs like rails.

I became good enough for a man to eat.
So he ate me, he hated me and then I hated me.

Until I broke the scale and his image.
I rescued the apple from Eve’s guilt

and spoke not sin or greed, but Gretel’s Tale.


Kay Buckley lives in Barnsley. She was overall winner of the 2014 York Mix poetry competition. Her poems have been published in magazines such as Antiphon, Butcher’s Dog, Brittle Star and Proletarian Poetry as well as included in anthologies by Paper Swans Press, Pankhearst Press and The Emma Press.

Blue by Finola Scott

08 Sunday Nov 2015

Posted by three drops from a cauldron in poetry

≈ 2 Comments

Tags

Bluebeard, fairytale, Finola Scott, marriage, murder, poem, poetry

Blue

Over his threshold slips the bride
thrilled and trembling once inside.
In silver moonlight, she’s barefoot,
innocence and trust her very root.

Unsullied flesh lured to his home,
a fresh creature for him to own.
Doors and windows slyly locked
marriage vows easily mocked.

What once was open now is shut,
veiled secrecy the deepest cut.
Tapestries and treasure cloud her eyes,
the future embroidered by his lies.

Smiling he offers any key… but one
and hides what he has become.
To have and to hold,
bright blood runs cold.

Til death do us part
is only the start.

 

Finola Scott is a slam-winning Granny who writes short stories and poems. She has won competetions at national level. Her work is widely available in many anthologies, magazines and zines. Recently she has moved into recording podcasts. She can be found performing in a pub near you! Hobbies included chocolate and tickling grandchildren.

Moon on the Water by Liz Ferrets

31 Saturday Oct 2015

Posted by three drops from a cauldron in poetry

≈ 1 Comment

Tags

activism, britain, changes, england, fairytale, Halloween, Liz Ferrets, magic, myth, poem, poetry, politics, spells, witches

Moon on the Water

And I’m walking through the city
Quiet night time in the city
Sparkly dark time in the city
And the full moon falls
through a broken window
and lands on the water
Throwing shadows on the back beat
like the whisper on the street
wisely shading crystal mysteries
Herstories and histories
And in a silent solstice mist
Where bats and cats are sleeping
I had a dream
Where 5 stars point
to 5 point stars
that fall before me
make a pentagramic path that
shines like tarnished silver
Leads me on
Through the city
Crazy shady lazy city
Concealing secret places
occult enchanted spaces
Obfuscated
Circle of the Stones
And no one knows that
hidden in plain sight
it fits within the shifting shadows
of the city
The pretty city
The frailty of the veil
is seen
It’s lifting
Silver tessellating pentagrams shine
and time slides
The crow flies
The crones chant
The maidens dance
And the mother sits among the stones
Knits among the stones
And there is righteous anger in her bones
as she is weaving hopes and fears
Children’s tears
Too many years of bleeding
in the city
The scarred and tired city
And a smack rat stumbles down
another blind alley
in the valley of lost direction
as she casts the spells that she has stolen
from the jaws of extinction
On the brink of destruction
she is reconstructing reason
at the changing of the season
And listen …
There is a rumble in the thunder
There is a storm in the teacup
There is a riot in the city
The brave relentless city
And there is a revolution in the land
Shifting sand
And the earthquake
Shakes us awake

 

Liz Ferrets hangs out of Sheffield with her four stinky thieving mice killing familiars. New to the poetry circuit, she performs her (as yet) unpublished works anywhere that will give her air time - enraged and frustrated by social injustice and crimes against humanity she finds plenty to write about and is truly a Troubadour for the Revolution.

Baba Yaga by Ashley Parker Owens

28 Wednesday Oct 2015

Posted by three drops from a cauldron in poetry

≈ 1 Comment

Tags

Ashley Parker Owens, Baba Yaga, fairytale, folklore, forests, poem, poetry, Russian, witch

Baba Yaga

Baba Yaga is the devil’s grandmother,
suggesting she was a mother once.
She flies through the air
in a mortar & pestle,
& sweeps away footsteps
with a silver birch broom.

Her hut deep in the forest
stands on giant chicken legs,
with no windows,
sometimes not even a door.

The fence is made of human bones with skulls on top,
& visitors are granted entrance with the magical phrase:

Turn your back to the forest
your front to me

Baba Yaga is not good,
but is not entirely evil.
She is not a good mixer or easy-going.
She kidnaps children & threatens to eat them,
& provides wrong information to strangers
unlucky enough to lose their way.

Baba Yaga knows something about women:
they are desperate to learn the secret
of turning wrinkles smooth.
She knows a recipe,
but to ask her aid requires
preparation & purity of spirit
& a dollop of basic politeness.

She ages one year per question,
& is reluctant to help.
Aging reverses with a blend
of tea steeped with blue roses,
& the chant:

Turn your back to the forest
your front to me

 

(An earlier version of this poem was posted on Accents Publishing Blog as part of #lexpomo. http://www.accents-publishing.com/blog/2015/06/15/baba-yaga)

Ashley Parker Owens lives in the hills of Kentucky, where the gnomes are. She has lived in San Francisco in an ashram, and in Chicago where she helped with the Second Underground Press Conference and was the creator and editor of Global Mail. After the successful publication of Gnome Harvest by Double Dragon Publishing, Ashley is writing the next novels in the Gnome Stories Series. She has an MFA in Creative Writing at Eastern Kentucky University, and an MFA from Rutgers University in Visual Arts.

Sleeping Beauty by Gareth Writer-Davies

14 Wednesday Oct 2015

Posted by three drops from a cauldron in poetry

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Tags

fairytale, Gareth Writer-Davies, poem, poetry

Sleeping Beauty
(Perceforest)

if you were expecting a giant
or a beast
then I apologise

but the princess is always woken by the hero’s kiss

when you pricked
your finger on that needle
the whole world went to sleep

and although your mattress is soft and deep
the grim story of your life
must of course reach a fabulous conclusion

beauty you have been dreaming
the thorn of the rose
tight in your skin

and it would be strange indeed
if wolves did not run through the rapture of your dreams

I am here my love
to release you from the evils of the forest

the child that cries in your arms
is the cautionary consequence of your coma

 

*first published in Twice Upon a Time Anthology (Kind of a Hurricane Press)

Gareth Writer-Davies was Commended in the Prole Laureate Competition in 2015, shortlisted for the Bridport Prize and the Erbacce Prize in 2014, Highly Commended, Geoff Stevens Memorial Prize in 2013 and 2012. His pamphlet “Bodies”, was published this year and is now available through Indigo Dreams.

Sleeping Beauty by Andie Berryman

02 Friday Oct 2015

Posted by three drops from a cauldron in poetry

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Tags

Andie Berryman, fairytale, hospital, modern, poem, poetry, sleeping beauty, Snow White

Sleeping Beauty

She lies in the glass case,
cupid bow lips as red as blood
Skin as white as snow
waiting for her prince to come.
He’s due in about five minutes.
The dwarf watches over Her
briefly shooed away by him.
The Prince looks over beauty
and marks something down on a chart
leaves in a white coat flourish
the dwarf continues her vigil.

 

Andie Berryman campaigns against the patriarchal construct of fairytales in all its capitalist forms (especially Disney). Andie writes reviews and sometimes, stories and poems.

The Boy in the Poem by Françoise Blanchard

16 Wednesday Sep 2015

Posted by three drops from a cauldron in poetry

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Tags

books, children, fable, fairytale, Françoise Blanchard, imagination, parenting, poem, poetry

The boy in the poem

No sooner had he opened the book that fairies flew out,
Fluttering left and right.
He turned the page carefully
So as not to crush their pale wings.

- Ouch! He cried.
Mom! The dragon on page 63 just bit me!
I turned around from the sink,
Hands soaking in soapy water,
And looked at the boy licking an imaginary wound.

- Dragons can’t bite, honey, because they don’t exist.
Only in books.
- Yes they do! And they bite! And they burn!
I shrugged and turned backed to my dishes.
He fetched a cup of water, “just in case”,
And kept reading.

The kitchen was silent for a while.
I was starting to enjoy the peace
When I heard him gasp.
- Mom! You and I are in a poem!
Does that mean we don’t exist?

Shudders.
- Touché, I uttered.

 

A French woman living in Seoul, South Korea, Françoise Blanchard is currently working on a follow-up to her first two books, Say Chic and Foodie French (http://www.diateino.com/en/18_francoise-blanchard-choi). Poetry, she recently discovered, is a wonderful tool with the power to create magic using just words. The few poems she has published online (in French) are available under Creative Common license (http://accentdecomplexe.weebly.com/). Words and ideas are not meant to be locked away in books that are never opened.

The Song of the Nymph by Andrew Shields

02 Sunday Aug 2015

Posted by three drops from a cauldron in poetry

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Tags

Andrew Shields, fairytale, myth, narrative, poem, poetry

The Song of the Nymph

Near where the castle stood, a river flowed
out of the woods and down into the valley.
One spring morning, two Ladies rode their horses
along the path that wound into the forest
until they came to where the river formed
from two quick streams that flowed down from the mountain.
They always took the path beside the smaller,
but on this day, they chose the other route,
a ford across the river to the shore
beside the wilder water of the larger
where no clear path led up into the wood.
They picked their way along, and then dismounted
to lead their horses where the boughs were low.
Some whim had made them change their long-time habit
to ride this way where no one knew they’d gone.
They soon could ride again, though with much care,
and when they finally wondered what they’d done,
just then they came around a river bend
and saw a mountain lake the castle’s people
had never known to be so near their home.
The bolder of the two, the Lady Cora,
now spurred her horse up to the lake’s green shore,
and called out to her friend, the Lady Ellen.
“I see an island out there in the lake.
We’ll tie the horses and swim out to see
if anyone has ever walked upon it!”
Her friend took no convincing, and they soon
were swimming out into the lake’s cool water,
their clothes well hidden by a bush right near
the horses grazing on the shore’s thick grass.

As they approached the island, suddenly
a nymph appeared not far from where they swam
and drew herself up on a sunlit rock.
The Ladies looked at her and at each other,
and silently agreed to swim no further.
The nymph let down her hair and then began
to brush her golden locks and sing a song
as beautiful as any that the Ladies
had ever heard. The tongue was strange to them,
and yet they felt it was a tale of love.
Her song over, she lay her silver brush
beside her on the rock and closed her eyes
just as the sun was going behind a cloud.
Then Cora put a finger to her lips,
and Ellen nodded that she understood:
whoever takes a water spirit’s brush
will gain a servant loyal to the end.

So Cora slowly swam with silent strokes
until she touched the rock. As quiet as
she’d ever been, she reached her hand out to
the silver brush. The sun came out again
and shone upon the handle, blinding her
just as the nymph began to speak, her voice
as soft and golden as her glowing hair:
“‘Tis true, my Lady Cora, if you take
my brush, then I will serve you till you die,
more faithful than the truest human maid.
But you will never hear me sing again.”
And then she sat so still upon her rock
that Cora thought the nymph was just a statue
more lovely than a sculptor could conceive,
unless he’d heard that song and carved the stone
while dreaming of that voice and of that love.
She turned away and swam back to her friend,
who’d heard the nymph and understood the choice
that Cora’d made. Returning to the shore
without a backward glance, they slowly dressed,
then fetched their horses. Only when they’d mounted
did they look back to where they’d seen the nymph.
The rock was empty in the morning sun.

Back at the castle, they did not talk about
the nymph to anyone, not even to
each other. Only after several days
had passed did they go riding out again.
Without a word, they rode back to the lake
and swam into the middle, at its deepest,
then waited there, treading water, until
the nymph came out to lie upon her rock
and brush her hair while singing. Sunlight flashed
and glinted from the silver handle and
her golden hair. The Ladies came no closer,
and when the song was over, they returned
to shore, their horses, and the wooded path
to head back down the rivers to their home.

For years, the Ladies rode up to the lake
on spring and summer days when sunlight promised
the nymph would sing. They never spoke of her,
but both the Ladies knew the other loved
that singing just as much, and both returned
from every visit ready to go back
to all the duties that made up their days.

One spring, the Lady Ellen grew so ill
she could not ride out with her friend to hear
that magic voice. So Cora stayed beside her
and never went up to the lake herself.
She nursed her through her fever and her dreams,
and listened to her muttering about
their rides up to the lake to see the nymph.
At dawn one morning, Ellen sat up straight
and said, her voice quite clear, her eyes wide open,
“You must ride up to see the nymph as soon
as I am gone.” Those were her final words.
She died an hour later. Cora left
the doctor and her maid to watch the body
and slipped out of the castle on her horse.

The path seemed easier this time, as if
the trees were parting just to let her pass,
and soon she found herself beside the lake.
Her horse tied up, her clothes behind the bush,
she swam across the lake and saw the nymph
come out upon her rock to sing again.
This time she sang a song so sad that Cora
could hardly keep herself afloat for crying.
She clambered up onto the island’s shore
and sat not far from where the nymph was singing.
And when the song was over, she spoke up:
“The Lady Ellen passed away this morning.”
To her surprise, the nymph responded quickly:
“And at the last, she spoke of you and me.
You never took my brush to make me yours,
so now I shall be yours until you die.
A nymph may also serve because she wants
to favor someone faithful with her care,
and then she may still freely sing her songs.
And while I serve you, you may call me Rhoda.”

She slipped into the lake and swam across
to where the horse was waiting. Cora took
a moment to recover from the shock
of what the nymph had said—and that she had
said anything at all, and even known
what Ellen’s final words had been. But Rhoda
kept beckoning to her, so Cora swam
at last to where she’d left her horse. They dried
the lake’s clear water off, and where her clothes
were waiting, Cora found a simple dress
Rhoda could wear. Without another word,
they rode back to the castle, where the nymph
became the Lady Cora’s constant friend
and sang to the enchantment of the court
in words that no-one ever understood,
her voice more lovely every time she sang.
For years, she served her Lady faithfully.
They watched their hair turn gray, then white, together;
they watched the lines appear around their eyes
and lips, and still the servant Rhoda sang
her songs of love, all in her secret tongue.

One morning, Rhoda could not wake her Lady.
She called the other servants in to help,
but there was nothing to be done. She sang
a quiet farewell song beside her bed,
and at the funeral sang again the song
she’d sung when Ellen died, before she’d pledged
herself to serve her Cora till her death.
And everyone who’d ever heard her sing
now wept to hear that song more beautiful
than any she had ever sung for them.
But in the morning after Cora’s funeral,
another servant went to wake up Rhoda
and found an empty bed no one had slept in.
The people of the castle still recounted
the singing servant’s tale until the day
the siege was ended and the castle burned.

 

Andrew Shields lives in Basel, Switzerland. His book Thomas Hardy Listens to Louis Armstrong is being published by Eyewear in June, 2015.

Winter Landscape by Maurice Devitt

24 Friday Jul 2015

Posted by three drops from a cauldron in poetry

≈ 1 Comment

Tags

cats, fairytale, folklore, forest, lake, magic, Maurice Devitt, poem, poetry, stories

Winter Landscape

She had just finished knitting
the cat when it escaped, black
fur shredded against
the driving snow. The night

was cold enough to make
a butcher shiver, hands
fingerless fitted snugly
into gloves. She grabbed

her coat but it resisted,
sleeves clinging desperately
to a hat-stand. The trail
of paw-prints was cold

and diverged in two directions
as though she had missed
a stitch. She rolled one set
into a ball and followed

the other into a forest, trees
huddled closer than their
shadows, branches stroking
beards of snow. She expected

a house, there was always
a house but no, a lake
the size of a mirror
and on the ice an empty bobbin.

 

The seventh son of a seventh son, Maurice Devitt was abandoned by his evil stepmother and raised in the forest by a poet.

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