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Three Drops from a Cauldron

Three Drops from a Cauldron

Tag Archives: goddess

Okame by Dennis Trujillo

06 Friday May 2016

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Dennis Trujillo, folklore, goddess, Japan, legend, myth, poem, poetry

Okame

Pisces Horoscope, Nov 4, 2011
“You have something in common with the Japanese
goddess Okame. When the sun went into hiding
and the world went dark, it was Okame’s wild
dance that brought back the light. Your
exuberance will save the day.”

+++— astrologer Holiday Mathis

*

The question that long gripped
My cranium like a shining scarab
Is answered: Okame is my muse.

Once I thought my muse was a moth
Flailing against the stained glass
Of a church. Another time I was sure

It was a yellow leaf in the wind.
But no, it’s Okame, who charmed
The sun with her bare shoulders

And dance that shimmered
Beneath a gossamer gown
Of woven cherry blossoms.

O Okame—I will lacerate my chest
With a tattoo of your smiling face
So the lavender ink of your lips

Seeps into my blood bringing a gift
Only a goddess can give—
The complete disrobing of my heart.


Previously published in Chanterelle’s Notebook, Issue #26, January 2012


Dennis Trujillo from Pueblo, Colorado, is a former US Army soldier and middle/high school math teacher who happens to love poetry. He now resides in Korea and is employed at Shinhan University in the city of Dongducheon. He runs and does yoga each morning for grounding and focus and for the sheer joy of it.

The Green Lady by Sammi Cox

27 Wednesday Apr 2016

Posted by three drops from a cauldron in flash fiction

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Tags

flash fiction, forest, goddess, lore, myth, Sammi Cox, spring, story, summer

The Green Lady

Spring had come to the forest, placing its gentle, loving hand over branch, bough and leaf, a touch so stirring that it could wake any living thing from even the deepest of winter slumbers.

As the wood burst into life, guided and encouraged by the strengthening sun, the Green Lady also opened her eyes, eyes that captured the essence of the season. The bright green of new shoots. The bold yellow of daffodils. The soft pink and purple of sweet violets. Those spring eyes were to be found on a face of silver birch-bark, framed by a living mass of evergreen ivy tresses.

The year gained momentum and during the early days of spring she spent her time singing soft songs to the trees and forest flowers. But it wasn’t until summer dawned, when the air grew warmer and the days lengthened, that the Green Lady took to wandering the Wildwood.

She was in search of her other half; the vibrant, verdant being who had loved her since the beginning of time. They had parted company at the end of autumn, for they had responsibilities beyond themselves and each other to attend to before winter arrived in the wood. And though the winter was spent alone, it was filled with dreams and memories of an eons worth of summer’s love to keep the frozen breath of the dark months at bay.

With the sun shining brightly overhead and patches of clear blue sky to be glimpsed between the branches above, it was time for the Green Lady to leave her solitary abode and venture further into the forest. It was time to find her Green Man.

For many days she walked the secret paths of the Wildwood. She made her way beneath oak and ash boughs, beech and wych elm. She danced around willow trees and skipped over woodland streams. And everywhere she went she carried a song on her lips and a tune in her heart, her voice always accompanied by the sounds of the woodland, be it the whistling of the wind, the chatter of birds or the rustling of leaves.

It was whilst she was drinking fresh water from a spring which cascaded over an ancient rock face that she heard a familiar song on the air. She followed where it led, answering the distant verses with her own.

Day turned into night, and beneath a starry sky the song continued on through to the dawn. At first light, she was walking the hidden pathways of the forest, the sound of his voice the only directions she needed.

The morning waxed and waned and the song got louder. Midday came and went, and the afternoon grew older. With every step she took, the forest seemed more and more alive, and full of music and wonder. And still the song got louder.

He was so close now that the Green Lady could feel his presence all around her. Parting the leaves and branches of a low-growing tree on the edge of a clearing, she glimpsed the cracked and creviced bark-skin that she knew so well. And those eyes! Eyes the colour of honey and tree sap and the dark gold of ripened acorns.

She stepped through the foliage and entered the clearing, their songs joining into one. In the centre of the glade, in the light of the sun, their hands entwined. No words were needed. The song was enough. After all, the summer was their season.


Sammi Cox lives in the UK and spends her time writing and making things. She can be found scribbling short stories and poetry, often inspired by mythology and folklore, at: https://sammiscribbles.wordpress.com/

Epona by Kathryn King

17 Wednesday Feb 2016

Posted by three drops from a cauldron in poetry

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Celtic, goddess, horses, Kathryn King, poem, poetry, roman

Epona

When the kitchen is empty
and I sit alone
the gates open outward
the deadbolts are drawn.

I start like a grouse at the crackle of feet,
or a fox taking flight from the hound.

I ride a dun mare cross the mowing
high into the lavender hills,
where the song of the hermit thrush
melts through the trees,
and Scota waits, languid and low.

I am huntress,
I look to the stars.

Hours grow pensive
when I’m not alone-
my forest stands shattered;
my castle goes cold.

The old dog lies dreaming
while rain gathers full,
and chickadees quiver;
the dun mare is blind.


Kathryn King is a sometime artist and poet living in south-central Vermont. The natural world in all its various expressions is probably her greatest love, and the intricacies of human nature one of her greatest fascinations. She carries a short list in a shallow bucket – mostly it reads, ‘Shouldn’t you be outside?’

Rhiannon by Catherine Blackfeather

14 Sunday Feb 2016

Posted by three drops from a cauldron in flash fiction

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Tags

Catherine Blackfeather, flash fiction, goddess, mythology, Rhiannon, Welsh

Rhiannon

All I see are my feet, as I slip and stumble on the mud-caked cobbles. My burden is heavy. I never look up. The hem of my queenly robe is soaked and heavy with mud. I don’t try to lift it up. I deserve to be here, a beast of burden. I, who once stepped through the mists between worlds, reining my King into myself, leading him by the rope of my own majesty.
To do my bidding.
The ground shifts under me and all is changed. How did I give myself away so easily? Taken and possessed, I am broken. My swift feet no longer fly effortlessly ahead of all who would have me, I am yoked to earth, and mud, and mocking laughter.
I killed my own gift that I birthed from out of myself. I taste the blood of my spirit-child on my lips. I am cursed.

But I will hunt for my stolen child. I will track him down. And when I face the afanc that snatched him from me, in a spell of drowsy unawareness, I will face it. I will stare into its eyes, and see myself looking back. And the chains will drop away. And I will fly free.


 

Catherine Blackfeather was born in Canada but grew up in England. She is a dancer, live storyteller and poet. With degrees in Theology and Welsh, folklorist Catherine Blackfeather shares folk-tales from around the world and writes her own new folk tales for 21st century audiences. She performs in her local community and as Dubhna Rhiadra in the virtual world, Second Life. She set up Storywrights for creative writing and storytelling workshops and regularly led multi-media performances of stories as part of a women’s performing Arts Festival in West Wales. Her book The Darkling Child and Other Stories will be released by Three Drops Press in September. Visit her online here: cathblackfeather.blogspot.co.uk

Three-fold Goddess by Mary Franklin

12 Friday Feb 2016

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Brigid, Brigit, Celtic, February, goddess, Imbolc, Mary Franklin, mythology, pagan, poem, poetry, spring

Three-fold Goddess

Call me Brigit. I am a woman of smithcraft.
One side of my face is ugly, the other comely:
you’ll easily recognise me at the smithy
hammering hot iron on an anvil repeatedly
forging lances, swords and daggers. Bellows
blow air fiercely on the fire again and again
as I make chains and instruments of torture.

Call me Brigit. I am a woman of healing.
Summoned to a wedding feast in Kildare,
a bride had scalded her hand on mulled mead,
I gathered and dipped nine bramble leaves
in spring water, laid them on the swelling
and recited a charm of poetic incantation
three times at a sacred well as dusk fell.

Call me Brigit. Some know me as the one
who made the whistle for calling to each other
through the night but I am a woman of poetry.
Poets near and far worship me. Folklore,
myths, legends are my domain and I reign
supreme at dances and festivals with ballads,
proverbs and tales that flame the imagination.

Call me Brigit. My name means fiery arrow.
Through veils of time when green shoots bud
on rohan trees at Imbolc, remember me.


Mary Franklin has had poems published in Iota, The Open Mouse, Ink Sweat and Tears, London Grip, Message in a Bottle, The Stare’s Nest, three drops from a cauldron and various anthologies, most recently three drops from a cauldron: lughnasadh 2015 anthology. Her tanka have appeared in poetry journals in Australia, Canada, UK and USA. She lives in Vancouver, British Columbia.

Vix Demeter by Helen May Williams

11 Wednesday Nov 2015

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Demeter, goddess, harvest, Helen May Williams, myth, poem, poetry, wine

Vix Demeter

She wears a torque of beaten gold
wrought with somniferous poppy pods.

She tips the urn towards amaranth sunrise
pours the gods their due libation.

The light spreads across the roused lake
stroking swans, ducks and grebes.

She adds the requisite herbs:
rosemary, meadowsweet and sage.

The reeds are etched against the dawn;
the warblers flit from leaf to stem.

She stirs in clear brook water,
fetched from beside the narrow bridge.

The brook fed by the shimmering lake
runs singing over smoothed stones.

Drop by careful drop, she stirs the last ingredient:
the white milk of fresh-crushed poppy seed.

She shows the chalice in her right hand,
in her left she holds the ear of barley.

Fasting the people wait. They have seen
the harvest returned again this year.

She hands the barley to her Kore;
she gives the chalice to her Kern.

Her right hand lifts her javelin and holds it high;
her left hand displays the sacred Epona ring.

There she stands, mistress of water, bread and wine.
Her gaze sees through them. She gives the sign.

 

*Prior to the widespread cultivation of the vine, wine formed the focus of exchange for nearly two centuries in Gaul. Wine became the drink of warriors.

Helen May Williams is Associate Fellow in the Department of English and Comparative Literary Studies, The University of Warwick. She is completing an edition of memoirs by her late mother, who worked at Bletchley Park and for E.C.I.T.O. Her poetry has been published in a number of small press publications since the late 1970s, including Hearing Voices, Horizon and Raw Edge, I Am Not a Silent Poet and the collection, Bluebeard’s Wives, Heaventree Press 2007.

to the littlest goddess, whose shield is thunder by Hannah Hamilton

04 Wednesday Nov 2015

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goddess, Hannah Hamilton, love, myth, poem, poetry

to the littlest goddess, whose shield is thunder

even when my body has chills from ricocheting off
the deadly frozen icecavern walls of tooearly morning,
3 am, having slithered into a pile of delicate wash
clothing straight from the dryer, piping hot,

my body as wooden
as pinocchio’s and
as smoothflanked as a
sharpened knife’s

with all this skin under skin and childish blood
under wise blood and trepidatious knees quaking from
temperature. even when my body is absorbing change
as merciless as pulling apart helpless hunks of beef,
the tug and resistance of muscle and nicked gullet.

even when
my body

undergoes the carnage of the journey home. even
when dido climbs into the funeral pyre in front
of me, using aeneas’ sword to run herself through
as if she made him use his own hand. even when that
is how i best identify with the way love returns to us.

my love, you were always going to touch darkness,
cut it into smoky-tendriled strips to tie around
your emboldened biceps. my love, you were always
going to bite the jugfanged vipers back and paralyze
them with your pluminfused venom. how young you are

even when my body senses the cadence and coda of
your hoarfrosted uncradling. how cruel for you
to discover the jewels & fulgent gems embedded
in your slender fingers, making everything you hold

shudder with reverence. even when my body is
recovering from the plague of locusts it has
expelled, repeatedly, into the world, it wants you

to know this better than your own name: that some
people shout into the abyss and confirm the abyss,
but when you shout into the abyss, i will emerge
from it. having been resting, dreaming of black
waves and sea monsters flashing lightningbright
beneath them. having been waiting for your call.

even when my body is just remembering
its opalencrusted armour and jungle shrines.
even when my body struggles with its own beauty & truth,

it has never doubted yours
for a single fumbling
second.

 

Hannah Hamilton is a poor college student studying literature in Baton Rouge, Louisiana, who has a beautiful close-knit family and a lot of things to do before it’s time for her to hop on Charon’s ferry and hightail it down the River Acheron.

Morrigan Visits Hobby Lobby by Kate Holly-Clark

24 Saturday Oct 2015

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Christianity, goddess, Hobby Lobby, Irish myth, Kate Holly-Clark, Morrigan, poem, poetry, politics, religion, usa, witch

Morrigan Visits Hobby Lobby

That morning, they should
have paid attention to the woman
washing blood off the Lexus
in the parking lot.

The doors bang open to the conference room
with a gesture from Her long thin fingers
and walks inside with a wild wind
snatching at papers, swirling the toupees
but somehow not ruffling
a single feather of Her
long cloak of ravenblack.

did you think, She says
that I would not know what you are doing?

They all see stars; these godly men and women
for a moment, so bright and burning
their eyes water and
they find themselves in
the ribbon aisle.

She shakes one marble arm from the cloak
sweeps sideways with Her hand
a thousand cawing crows fill the air
the ribbons start slithering
and entwine their feet
with the fear of a teenage girl
caught between
the baby and the coat hanger

Did you think I would not know what you are doing to
My daughters and sons? She says

a rain of pink and yellow kitty buttons ping off their heads
each stinging pain
a mother struggling to feed two children
afraid a third
will starve them all

My daughters and sons and mothers and fathers
and nieces and nephews will not forget, says She

zebrastriped ottomans slam into them
with the blows to the gut
of endometriosis gone out of control
the bleeding endlessly into anemia
dizziness dropping them to their knees
cramps as if their guts are being drawn
and wrapped around trees

Sons of the hounds, She cries, COME HERE AND GET MEAT!

Finn MaCool and Herne sweep in at the head
of caroling, slavering gabrielhounds
and the wind’s roaring is so loud they think
their ears will explode and the crashing
of painted crystal and flower vases is
the continous roar of the ocean

they are cut with a thousand tiny shards of glass
their faces all scratches and tiny tears of blood streaming
puking up with fear
like 8 hours after Plan B
feet anchored to the floor with
layer after layer of Disney stickers
and terror of the Phantom Queen

My children choose, says She.
Not you. Not in My name
not in My dominion

not for My daughters and sons and mothers and fathers and lovers
not for My children and My non-children
they are Mine and you shall not interfere in My name
the battles they fight are Ours and sacred
no matter what they decide, My children are blessed

they can hear Her voice like dreadful bells
clear right through the hurricane
up under the suspended ceiling
the tiles rippling like an earthquake
dust and glitter swirling through the air
so thick the light is gray

She sweeps back Her cloak
both hands palms down
there is a silence that rings as loud as Her voice

the hounds and the heroes file neatly out the
automatic doors that crunch across
the broken glass

The Battle Crow eyes the board members
one by one with bright black eyes
stripping them down
to their profits and loss
their knees shaking
like they had worked eighteen hours
on an assembly line making wreaths and bows
for a dollar a day

Do not invoke god in your decisions for your fellow folk, She says
until you know Who will answer.

 

Kate Holly-Clark is a professional storyteller, artist, and poet living in NH.

Milk and Moonshadows by A.B. Cooper

20 Sunday Sep 2015

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A.B. Cooper, goddess, motherhood, mythology, poem, poetry

Milk & Moonshadows

Standing naked,
Bathed in milky moonlight,
Murmur of night breeze
Kisses damp skin.
Gelatin silver contrast shadows reveal
Shifted landscapes:
New peaks jut proudly,
Others subsiding.
I cradle hot flesh,
Relieve the rock hard heaviness.

Sleeping shape senses my presence,
Smells me,
Stirs.
We cling stickily,
Bathed in sweat,
Nuzzling skin
Darkened by Sister Sun.

Familiar bittersweet prickle
Floods.
Deep draw:
I overflow,
Rivers of silver cascading down peaks and gullies.

Tiny fingers spasm involuntarily,
Eyes rolling in milk-drunk stupor,
Breathing slows with
Soporific sighs…

I am nourishment.
I comfort.
I am peace.
I am Goddess.

 

A. B. Cooper has had a range of poetry published online and in postcard form with Paper Swans Press with whom she is co-editing an anthology entitled Schooldays. In addition, she is currently setting up a poetry mentoring service for young poets. She reviewed vampire film ‘Byzantium’ for the horror site ‘The Slaughtered Bird’ and is also working on her first novel - a ghost story for adults. She enjoys all things dark and delicious.

Innana’s Journey by Rachael Clyne

27 Saturday Jun 2015

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goddess, Inanna, myth, mythology, poet, poetry, Rachael Clyne, women

Innana’s Journey

One foot on the step is all it takes to change a life
while the other lingers in warm ochre dust.
A foot on the step presses stone-chill knowledge
from sole to knee in Chinese whispers.

That’s all it takes to the Great Below.
Neither cashmere shawl nor lapis beads
retain your dignity, memories of a lover’s kiss
on the mezzanine cannot warm you,
a chorus of adulation will not
help you face this one down.

Did I say face? Nothing prepares you
for the icy blast of meeting your other half.
Obsidian eyes cut an ego to shreds.
Less than a maggot on the flyblown arse
of a decaying donkey, all you can do is rot
and pray for release.

At last your heart opens to love
the unforgiving bitch of envy and rejection
who you once banished after all
until she reclaimed you,
so you crawl back up to the light
thankful only for the grace of breath,
your eyes deeper by three miles.

Now you are fit, she whispers,
to call yourself Queen.

 

*(from the author’s collection She Who Walks with Stones and Sings (PSAvalon 2005))

Rachael Clyne lives in Glastonbury. Her new collection, Singing at the Bone Tree, concerns our search for the wild self and won Indigo Dreams’, George Stevens Memorial Prize 2013. Rachael belongs to both local groups and the online poetry group, 52 Anthologies: Book of Love and Loss, The Listening Walk. Magazines: Poetry Space, Stare’s Nest, Interpreters House, Domestic Cherry. Collections: She Who Walks with Stones and Sings. www.rachaelclyne.com

 

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